LEONARDO DA VINCI

Hoy es el aniversario de la fecha de nacimiento, en 1452, de este excepcional artista e inventor. En este enlace pueden tener acceso a múltiple información sobre las diversas facetas de su creatividad y trabajo.
Se trata de un proyecto desarrollado por el Museo de Ciencias de Boston y está pensado en estudiantes del 4º al 8º grados.
Si hacemos un paralelo en la línea de tiempo, Leonardo tenía 40 años cuando Cristóbal Colón descubrió América y acá los incas no conocían la rueda y usaban porras, mientras da Vinci, un vegetariano pacifista creaba mortales máquinas de guerra. Son las permanentes contradicciones del género humano...
Espero que cuando hubo la exhibición sobre sus inventos en el Jockey Plaza (2009) hayan tenido la oportunidad de visitarla. Por si acaso, en estos días hay una exposición, "Leonardo da Vinci y la música" en la Casa Museo O'Higgins, Jr. de la Unión 557, Lima. La atención es de martes a domingo de 10.00 a 20.00h. El martes el ingreso es libre y los otros días las entradas se venden a S/8.00 y S/6.00 para estudiantes.
 
 Más noticias:

Art historians say they have found evidence of hidden Leonardo da Vinci

Researchers who drilled through a fresco in Florence's town hall say paint used by Leonardo was found in the cavity behind

• Tom Kington in Florence
• guardian.co.uk, Monday 12 March 2012 13.27 GMT
• Este es el vínculo: http://www.guardian.co.uk/artanddesign/2012/mar/12/art-historians-hidden-leonardo-da-vinci 
• Como vemos, Leonardo nunca cesa de sorprendernos, en eso radica el genio... 
• Otro vínculo :

• The Da Vinci load: Leonardo's packing list revealed

  Renaissance artist and anatomist needed pane of glass, forceps and a bone saw, a page from his notebook reveals
• Caroline Davies
• guardian.co.uk, Thursday 5 April 2012 17.22 BST
•  Este es un Leonardo más humano, más íntimo...
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• Hoy, 1 de mayo, 2012, seguimos enriqueciendo este post tan visitado, porque el interés que despierta Leonardo es inacabable; en esta oportunidad, con la contribución del blog de Jonathan Jones On Art, titulado:

• Is Leonardo da Vinci a great artist or a great scientist?

  Catalogues at the ready: one show posits Da Vinci as a scientific genius, another as the absolute artist. For him, such divisions were meaningless.

  El otro vínculo, se refiere a la exhibición en The Queen's Gallery, Buckingham Palace, que incluye muchos gráficos de anatomía.
  En esta fecha, 24 de mayo, 2012 añado unas imágenes tomadas del diario Libération y se refieren a la exhibición de Londres. El artículo completo en el vínculo.
  

  

  

   Conforme aparece nueva información sobre este artista fuera de serie, la vamos agregando al mismo post, una manera de facilitar el acceso a nuestros amables lectores. Hoy, 17 de agosto, 2012:
  

  The other Da Vinci code: did Leonardo paint himself into The Last Supper?

  For years scholars have wondered what he looked like. But was the answer staring them in the face all along?
  

  Dalya Alberge 

  El texto completo en el vínculo. 
  
  Otra actualización:
  

  • Culture
  • Books
  • Art and design

  Leonardo and the Last Supper by Ross King – review

  A fine analysis of the Last Supper invites us to look afresh at Leonardo's faded masterpiece

  • Peter Conrad
  • The Observer, Sunday 2 September 2012

   Hoy, día de la Navidad 2012, otra actualización sobre este artista sin parangón, en esta ocasión sobre el diseño de las alas y el ahora superado deseo de volar del género humano.
  

  How Leonardo da Vinci's angels pointed the way to the future

  The atheist innovator used religious commissions to test-drive his greatest invention – the flying machine

  
  

  • Email

  • Jonathan Jones
  • guardian.co.uk, Tuesday 25 December 2012 
  • • Culture
    • Art and design
    • Jonathan Jones on art

    

    How Leonardo da Vinci's angels pointed the way to the future

    The atheist innovator used religious commissions to test-drive his greatest invention – the flying machine

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    Flight of fancy ... detail from Leonardo da Vinci's The Annunciation. Photograph: Francesco Bellini/AP
    Leonardo da Vinci painted the most beautiful angels in the world. Since there are no actual angels, his pictures of them are literally the most real, the most gorgeous, the most magical that exist.
    This is strange, because Leonardo was not a religious man. Although the National Gallery made a vivid case for him as a religious artist in its 2011 exhibition of his paintings, there is very little in his notebooks to suggest that Christianity was part of his everyday, personal life. Shopping lists are more prominent than prayers among his notes.
    However compelling Leonardo's religious paintings are, it has to be remembered that all are commissioned works. No painter could have a career in Renaissance Italy without creating altarpieces. It is therefore important to distinguish between a passionately Christian artist like Michelangelo and someone like Leonardo who left plenty of written evidence that he was more curious about Archimedes than St Augustine.
    Leonardo conceals his heterodoxy within his paintings – his composition The Virgin of the Rocks is an idiosyncratic image with no parallel in Christian art.
    He puts his own ideas and interests into his angels, too.
    Leonardo painted the most electrically alive angel wings imaginable in his early work The Annunciation. These wings seem practical – the artist has thought deeply about how a pair of wings might fit on to a human body.
    When the young Leonardo painted this, he could see a picture of a flying man in Florence – a medieval carving of the legendary inventor Daedalus wearing wings on the city's bell tower. Daedalus flew with science, not magic. He made wax wings but when his son Icarus flew near the sun, the wings melted.
    The wings of Leonardo's Annunciation angel are Daedalan. They are designs for real wings. In this early painting, he is already pondering the mystery that would fascinate Leonardo all his life – how to build a flying machine.
    Leonardo's Annunciation angel is a prototype of the flying machines whose designs he lays bare in his notebooks. From the 1480s to the early 1500s he designed flying machines with bat-like wings and systems of stirrups, levers and pulleys for the pilot to power them with his own arms and legs. He planned a test flight in 1505 from a mountain outside Florence. The results are not recorded.
    In the same years he worked on a second version of his painting The Virgin of the Rocks. The angel in this picture is subversive in a new way: it is androgynous. Leonardo melts gender in his image of this unearthly being. He creates a beauty so sensual it transcends male and female – a daring expression of his own sexual identity.
    Flight, for Leonardo, is the ultimate human dream, and angels are futuristic glimpses of airborne humanity. In that release from earth, he glimpses liberation from the religious bonds that saw him twice accused of the crime of sodomy.
          
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    Como es nuestra costumbre, actualizamos este post cada vez que se presenta la oportunidad: el día de ayer, 3 de febrero, 2013, se cumplieron 510 del inicio del retrato más famosos del mundo, la Mona Lisa; por este motivo el Dominical de El Comercio, año 59, No. 45 publicó su suplemento dedicado a este acontecimiento, así como a otros eventos de la época del Renacimiento, el cuadro La última cena, el robo del cuadro de la Gioconda en 1911 y su posterior aparición en 1913, Florencia, identificada como una tierra de genios, Leonardo, el genio total, la bella sonriente, en la página central, Giocondas alteradas, una pasión botánica, sabiduría e invención, el artista científico y hasta recetas de cocina.
    Todo el universo en la mente y creatividad de este genio excepcional.
    ****************
    Hoy, 15/4/2013 copio el aporte de mi amigo Wayqui en FB, con las gracias correspondientes:
    

    Un día como hoy, el 15 de abril de 1452, nació Leonardo da Vinci (Leonardo di ser Piero da Vinci). Notable polímata del Renacimiento italiano (a la vez anatomista, arquitecto, artista, botánico, científico, escritor, escultor, filósofo, ingeniero, inventor, músico, poeta y urbanista)

    
    

    
     
  • Hoy, 15 de mayo de 2013 estamos agregando un elemento a nuestro post más leído, lo que siempre nos resulta gratificante. Se trata del doodle que Google le dedicó a nuestro personaje con motivo de un aniversario más de su nacimiento. Este es el texto que acompaña la imagen:
  • April 14 2005: This Da Vinci-inspired Doodle celebrated the famous artist, inventor and all-round renaissance man's 533rd birthday

    
   Hoy, 5 de agosto de 2013, agregamos un nuevo artículo sobre Leonardo y sus dibujos de anatomía; Mr Jones reclama que sean cedidos para disfrute de todos y no solo de unos pocos privilegiados.
  

  
  

  

  Why is the world's best art being detained at her majesty's pleasure?

  Leonardo da Vinci's anatomical drawings sit cloistered in the Royal Collection – it's time they were released to the nation

  
  

  Theirs by birth … the monarchy's stash of Leonardo da Vinci drawings is a gross display of inherited wealth. Photograph: HE Media/Katielee Arrowsmith

  Leonardo da Vinci's anatomical drawings are the most compelling works of art in Britain. Many are on show in this year's Edinburgh festival, in an exhibition at the Palace of Holyroodhouse.
  

  1. Leonardo da Vinci
  2. The Mechanics of Man
  3. The Queen's Gallery, Palace of Holyroodhouse,
  4. Edinburgh

  1. Until 10 November
  2. Venue website

  When I say these drawings are the greatest works of art in the British isles, I really mean it. Leonardo was both an artist and a scientist. It's in his intellectual-yet-imaginative, inquisitive-yet-humane studies of the human body that his visual genius perfectly complements his passion for knowledge.
  So the exhibition in the Queen's Gallery at Holyroodhouse is an encounter with a sublime brain. Sadly, it is also a spectacle of absurdity. These drawings and many more by Leonardo belong to the Queen and will be passed on to her successors, right down to baby George and beyond. Why, except as a gross display of inherited wealth, do they need them?
  It is unjustifiable, even if you love the monarchy, for the Queen to own so much work by the greatest artist who ever lived. This excessive act of possession adds nothing to the prestige of royalty. Worse, it gets in the way of public appreciation of some of the world's supreme art.
  I've tried, for years, to suppress my mystification at why the Queen hangs on to art that would obviously be better used by a public museum. I have met curators of the Royal Collection and admired their knowledge; I've also been lucky enough to study Leonardo's drawings in the Royal Library at Windsor. In many ways, the Royal Collection is well run. But that changes nothing. Windsor Castle is simply not the right place for our most precious art heritage to be held.
  Royalty is a silk sheet that covers and veils art, swathing it in pointless luxury. The Queen runs two public art galleries, in London and Edinburgh, and they are both rum affairs with cloying decor and all the paraphernalia of monarchy. That's fine for tourists, but it does not make for serious art viewing. It breaks my heart if Leonardo, of all artists, is made to look irrelevant – but that is what exhibitions by the Royal Collection achieve.
  When the National Gallery put on a Leonardo da Vinci exhibition in 2011, it was a stupendous success that drew serious and fascinated crowds. A few months after it closed, an exhibition of Leonardo's anatomical drawings opened at the Queen's Gallery in London – but the excitement did not follow Leonardo across Green Park. There's something about a gallery attached to Buckingham Palace (or Holyroodhouse) that predefines what happens there as fluffy royal heritage. It's not a cool date, is it, "let's go to the Queen's Gallery".
  It obviously would have been better to include a show of these marvellous drawings at the National Gallery, as part of its Leonardo epic. Instead, the Royal Collection went into competion with the NG – and lost.
  But the real losers are the people. We should be able to look at Leonardo's drawings in our public collections. They should be given to the nation.
  • I will be talking about Leonardo and other geniuses at the Edinburgh international book festival, if you want to argue about this in person.

  
  Amables lectores, hoy, 12 de diciembre, 2013, tengo el agrado de seguir enriqueciendo este post.
  

  http://leonardo.bne.es/index.html

  Nuestro agradecimiento y felicitaciones a la Biblioteca Nacional de España por la difusión de su acervo en formato interactivo y su preocupación en hacerla llegar masivamente a los interesados en la obra de Leonardo da Vinci. Espectacular, por decir lo menos...